Native.Instruments.FM8.VSTi.DXi.RTAS.v1.0.3 64 bit: A Review and Comparison with Other FM Synths
Native.Instruments.FM8.VSTi.DXi.RTAS.v1.0.3 64 bit: A Comprehensive Review
If you are looking for a powerful and versatile synthesizer that can produce a wide range of sounds from classic FM tones to modern digital timbres, you might want to check out Native Instruments' FM8. This software instrument is based on frequency modulation (FM) synthesis, a technique that was popularized by Yamaha's DX series of hardware synths in the 1980s. FM8 is not only a faithful emulation of these legendary synths but also a modern FM8 is not only a faithful emulation of these legendary synths but also a modern and flexible tool that allows you to create your own sounds with ease. In this article, I will review the latest version of FM8, which is Native.Instruments.FM8.VSTi.DXi.RTAS.v1.0.3 64 bit, and show you how to install, use, and customize it on your computer. I will also give you some tips and tricks on how to create your own sounds with FM8 and how to import classic DX and TX series FM sounds into it. By the end of this article, you will have a better understanding of what FM8 can do and why it is one of the best FM synthesizers on the market.
Native.Instruments.FM8.VSTi.DXi.RTAS.v1.0.3 64 bit
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What is FM synthesis?
Before we dive into FM8, let's first understand what FM synthesis is and how it works. FM synthesis stands for frequency modulation synthesis, which is a method of generating sounds by modulating the frequency of one or more oscillators (called carriers) with another oscillator (called modulator). The modulator can change the pitch, timbre, and harmonic content of the carrier, creating complex and dynamic sounds that are not possible with other types of synthesis. FM synthesis can produce a variety of sounds, such as bells, pianos, organs, brass, strings, basses, leads, pads, drums, and more.
FM synthesis was invented by John Chowning at Stanford University in the 1960s, but it was not until the 1980s that it became widely popular with the release of Yamaha's DX series of synthesizers. The most famous of these was the DX7, which was the first commercially successful digital synthesizer and one of the best-selling synths of all time. The DX7 had six operators (oscillators) that could be arranged in 32 different algorithms (configurations) to create different types of sounds. The DX7 also had a unique envelope generator that could shape the amplitude and frequency of each operator over time. The DX7 was used by many famous artists and bands in the 1980s and 1990s, such as Michael Jackson, Whitney Houston, Phil Collins, Depeche Mode, A-ha, Brian Eno, and more. The DX7 also spawned many other models in the DX series, such as the DX9, DX21, DX27, DX100, and more.
However, FM synthesis also had some drawbacks. It was difficult to program and understand for many users, as it required a lot of mathematical knowledge and trial-and-error. It also had a limited sonic palette compared to other types of synthesis, as it could not produce warm analog sounds or realistic acoustic sounds. It also had a low resolution and aliasing issues due to its 12-bit digital technology. As a result, FM synthesis lost its popularity in the 1990s with the rise of sampling and wavetable synthesis.
But FM synthesis did not die out completely. It was revived in the 2000s with the advent of software synthesizers that could emulate and enhance the capabilities of hardware FM synths. One of these software synths was Native Instruments' FM7, which was released in 2001 as a virtual recreation of the DX7. FM7 had more operators (eight), more algorithms (88), more effects (four), more modulation sources (eight), more envelopes (six), and more polyphony (32) than the DX7. It also had a graphical user interface that made it easier to program and edit sounds. It also had a compatibility mode that allowed it to load SYSEX files from the DX7 and other compatible synths.
In 2006, Native Instruments released FM8 as an update to FM7. FM8 added more features and improvements to FM7, such as a new sound engine that improved the sound quality and reduced aliasing, a new browser page that made it easier to manage presets, a new effects page that added more effects (12) and routing options, a new arpeggiator page that added more arpeggio modes and patterns, a new easy/morph page that added macro controls and morphing pads, and a new expert page that gave more access and control over the FM matrix. FM8 also added more presets (over 1200) that covered a wide range of musical genres and styles.
FM8 is still one of the most popular and powerful software synthesizers today. It can produce sounds that range from classic FM tones to modern digital timbres. It can also import sounds from hardware FM synths such as the DX7 and other compatible synths. It can be used as a standalone instrument or as a FM8 can be used as a standalone instrument or as a plugin in various digital audio workstations (DAWs). It supports VST, VST3, AU, and AAX formats and can run on both Windows and Mac OS. It can also be integrated with Native Instruments' Komplete Kontrol and Maschine hardware controllers for more hands-on control and performance. FM8 is a versatile and flexible synthesizer that can cater to any musical need and taste.
How to install FM8 on your computer
If you are interested in trying out FM8, you can download a free demo version from Native Instruments' website. The demo version has all the features of the full version except that it will produce a noise every 30 seconds and it will expire after 30 minutes of use. You can also purchase the full version of FM8 from Native Instruments' website or from authorized dealers. The full version costs $149 USD and comes with a lifetime license and free updates.
System requirements
Before you install FM8 on your computer, you should make sure that your system meets the minimum and recommended requirements for running FM8. Here are the system requirements for FM8 according to Native Instruments:
Windows
Mac OS
Minimum: Windows 7 (latest Service Pack, 32/64 Bit), Intel Core Duo or AMD Athlon 64 X2, 2 GB RAM
Recommended: Windows 7 or Windows 8 (latest Service Pack, 32/64 Bit), Intel Core i5 or equivalent CPU, 4 GB RAM
Minimum: Mac OS X 10.9, 10.10 or 10.11 (latest update), Intel Core 2 Duo, 2 GB RAM
Recommended: Mac OS X 10.9, 10.10 or 10.11 (latest update), Intel Core i5 or equivalent CPU, 4 GB RAM
You should also have at least 600 MB of free disk space for installing FM8 and its presets.
Download links
To download FM8, you need to create an account on Native Instruments' website and register your product using the serial number that you received after purchase. If you bought FM8 from a dealer, you should find the serial number on the box or on the receipt. If you bought FM8 online, you should find the serial number in your email confirmation or in your account page.
Once you have registered your product, you can download FM8 from Native Instruments' website using the following links:
FM8 demo version
FM8 full version for Windows
FM8 full version for Mac OS
You can also download FM8 from Native Access, which is a software application that allows you to manage all your Native Instruments products and updates. You can download Native Access from here.
Activation process
After you have downloaded and installed FM8 on your computer, you need to activate it using Native Access or Service Center. These are software applications that allow you to activate and update all your Native Instruments products online or offline.
To activate FM8 using Native Access, follow these steps:
Launch Native Access from your applications folder or start menu.
Login with your email address and password that you used to create your account on Native Instruments' website.
Click on the "Not installed" tab and find FM8 in the list of products.
Click on the "Install" button and follow the instructions on the screen.
Once the installation is complete, click on the "Installed products" tab and find FM8 in the list of products.
Click on the "Activate" button and enter your serial number when prompted.
Wait for the activation process to finish and close Native Access.
You can now launch FM8 as a standalone or plugin instrument.
To activate FM8 using Service Center, follow these steps:
Launch Service Center from your applications folder or start menu.
Login with your email address and password that you used to create your account on Native Instruments' website.
Click on the "Overview" tab and find FM8 in the list of products.
Click on the "Activate" button and enter your serial number when prompted.
Wait for the activation Wait for the activation process to finish and close Service Center.
You can now launch FM8 as a standalone or plugin instrument.
How to use FM8 as a standalone or plugin instrument
Once you have installed and activated FM8 on your computer, you can use it as a standalone instrument or as a plugin in various DAWs. Here are some tips on how to use FM8 in different modes:
Standalone mode
To use FM8 as a standalone instrument, follow these steps:
Launch FM8 from your applications folder or start menu.
You will see the FM8 user interface, which consists of several pages that you can access by clicking on the tabs at the top of the window.
To play FM8, you need to connect a MIDI keyboard or controller to your computer and select it as the input device in the audio and MIDI settings. To access these settings, click on the "File" menu and select "Audio and MIDI Settings".
In the audio and MIDI settings window, you can choose your audio device, sample rate, buffer size, and output channels. You can also choose your MIDI input device, channel, and controller assignments. You can also enable or disable MIDI clock sync and MIDI thru. Click on "OK" to save your settings and close the window.
You can now play FM8 using your MIDI keyboard or controller. You can also use your computer keyboard as a virtual keyboard by clicking on the "Keyboard" button at the bottom of the window.
To change the sound of FM8, you can browse and load presets from the browser page, or edit the sound parameters from the other pages. You can also save your own presets by clicking on the "File" menu and selecting "Save As".
To add effects to FM8, you can go to the effects page and choose from 12 different effects, such as reverb, delay, chorus, flanger, etc. You can also adjust the effect parameters and routing options.
To create arpeggios with FM8, you can go to the arpeggiator page and choose from various arpeggio modes and patterns. You can also adjust the arpeggio parameters such as steps, rate, swing, etc.
To modify sound parameters using macro controls and morphing pads, you can go to the easy/morph page and drag the knobs and pads to change the sound in real time.
To access and edit the FM matrix, envelopes, LFOs, modulators, operators, etc., you can go to the expert page and tweak every aspect of the FM synthesis engine.
Plugin mode
To use FM8 as a plugin in various DAWs, follow these steps:
Launch your DAW of choice and create a new project or open an existing one.
Add a new track or instrument channel to your project and load FM8 as a plugin. Depending on your DAW and operating system, you may have different options for loading plugins. For example, in Ableton Live on Windows, you can go to the "Plugins" tab in the browser and drag and drop FM8 onto a track. In Logic Pro X on Mac OS, you can go to the "Instrument" slot in the channel strip and select "AU Instruments > Native Instruments > FM8 > Stereo".
You will see the same user interface as in standalone mode, except that it will be embedded in your DAW's window. You can resize it by dragging the corners of the window.
To play FM8, you need to arm the track or channel that has FM8 loaded and select it as the input source in your DAW's settings. You also need to connect a MIDI keyboard or controller to your computer and select it as the input device in your DAW's settings.
You can now play FM8 using your MIDI keyboard or controller. You can also use your DAW's piano roll or sequencer to program MIDI notes for FM8.
To change the sound of FM8, you can browse and load presets from the browser page, or edit the sound parameters from the other pages. You can also save your own presets by clicking on the "File" menu and selecting "Save As".
To add effects to FM8, you can go to the effects page and choose from 12 different effects, such as reverb, delay, chorus, flanger, etc. You can also adjust You can also adjust the effect parameters and routing options.
To create arpeggios with FM8, you can go to the arpeggiator page and choose from various arpeggio modes and patterns. You can also adjust the arpeggio parameters such as steps, rate, swing, etc.
To modify sound parameters using macro controls and morphing pads, you can go to the easy/morph page and drag the knobs and pads to change the sound in real time.
To access and edit the FM matrix, envelopes, LFOs, modulators, operators, etc., you can go to the expert page and tweak every aspect of the FM synthesis engine.
Depending on your DAW, you may have different ways of accessing and automating FM8's parameters. For example, in Ableton Live, you can click on the "Configure" button in FM8's window and then click on any parameter that you want to control from your DAW. You can then assign MIDI controllers or automation envelopes to these parameters. In Logic Pro X, you can use the Smart Controls feature to map FM8's parameters to knobs and sliders that you can control from your DAW.
How to navigate FM8's user interface
FM8 has a user-friendly and intuitive user interface that consists of several pages that you can access by clicking on the tabs at the top of the window. Each page has a different function and layout that allows you to control different aspects of FM8's sound and performance. Here is a brief overview of each page and what it does:
Browser page
The browser page is where you can browse, load, save, and manage presets for FM8. A preset is a collection of settings that defines a specific sound for FM8. FM8 comes with over 1200 presets that cover a wide range of musical genres and styles. You can also create your own presets or import presets from other sources.
The browser page has four main sections: attributes, categories, presets, and favorites. The attributes section allows you to filter presets by various criteria, such as type, mode, timbre, articulation, genre, etc. The categories section allows you to organize presets by different folders, such as banks, sounds, effects, etc. The presets section shows the list of presets that match your selected attributes and categories. You can scroll through the list using the arrows or the mouse wheel. You can also use the search box to find presets by name or keyword. The favorites section allows you to mark presets as favorites by clicking on the star icon next to them. You can then access your favorite presets from any category or attribute.
To load a preset, simply click on its name in the list. You will see a preview of its sound and settings in the lower part of the window. You can also audition presets by clicking on the speaker icon next to them or by playing your MIDI keyboard or controller. To save a preset, click on the "File" menu and select "Save As". You can then choose a name and location for your preset. You can also overwrite an existing preset by selecting "Save". To delete a preset, click on the "File" menu and select "Delete". To rename a preset, click on its name in the list and edit it.
Master page
The master page is where you can adjust global settings for FM8's sound and performance. The master page has four main sections: master level, polyphony/voices/unisono, pitch bend range/transpose/tune/scale/keytrack/velocity curve/aftertouch curve/mod wheel curve/breath curve/expression curve/foot pedal curve/portamento mode/portamento time/portamento curve/legato mode/legato time/legato curve/glide mode/glide time/glide curve/analog/digital quality/oversampling/filter quality/envelope quality/LFO quality/modulator quality/operator quality/matrix quality/matrix interpolation/matrix smoothing/matrix feedback/matrix feedback damping/matrix feedback saturation/matrix feedback phase/matrix feedback mix/matrix feedback output/matrix feedback input/matrix feedback modulation/matrix feedback modulation amount/matrix feedback modulation source/matrix feedback modulation destination/matrix feedback modulation mode/matrix feedback modulation shape/matrix feedback modulation rate/matrix feedback modulation depth/matrix feedback modulation phase/matrix feedback modulation sync/matrix feedback modulation reset/matrix feedback modulation loop/matrix feedback modulation loop start/matrix feedback modulation loop end.
The master level section allows you to adjust the overall volume of FM8's output. You can drag the knob or enter a value in decibels (dB). You can also mute or solo FM8's output by clicking on the buttons below the knob.
The polyphony/voices/unisono section allows you to adjust how many notes FM8 can play at once ( polyphony), how many voices each note can have (voices), and how many copies of each voice can be detuned and spread across the stereo field (unisono). You can drag the knobs or enter values in numbers. You can also enable or disable unisono by clicking on the button below the knob.
The pitch bend range/transpose/tune/scale/keytrack/velocity curve/aftertouch curve/mod wheel curve/breath curve/expression curve/foot pedal curve section allows you to adjust how FM8 responds to various MIDI controllers and messages. You can drag the knobs or enter values in semitones, cents, percentages, or curves. You can also choose from different scales, keytracks, and curves by clicking on the drop-down menus.
The portamento mode/portamento time/portamento curve/legato mode/legato time/legato curve/glide mode/glide time/glide curve section allows you to adjust how FM8 transitions between notes. You can choose from different modes, times, and curves by clicking on the drop-down menus or dragging the knobs. You can also enable or disable portamento, legato, and glide by clicking on the buttons below the knobs.
The analog/digital quality/oversampling/filter quality/envelope quality/LFO quality/modulator quality/operator quality/matrix quality section allows you to adjust how FM8 processes and renders its sound. You can choose from different quality levels and oversampling rates by clicking on the drop-down menus. You can also enable or disable analog mode by clicking on the button below the menu.
The matrix feedback section allows you to add feedback to the FM matrix, which is a feature that was not available on the original DX7. Feedback can create more complex and distorted sounds by feeding the output of an operator back into its input or another operator's input. You can adjust the feedback parameters by dragging the knobs or entering values in percentages, decibels, hertz, degrees, etc. You can also enable or disable feedback by clicking on the button below the knob.</